First, create a powerful headline with an immediate clear benefit for the reader, not some wishy-washy hi, here we are statement. Ask a question that shows you understand their needs, Are you still looking for someone who can guarantee your mower, tractor, trimmer, cultivator or compactor will be ready to work when you are? This shows you understand their needs and are not just jumping into a rah rah selling pitch. Then tell them you have the solution, our 10 point small engine tune-up will keep you running strong all summer long-we absolutely guarantee. Give them your business credentials. Dave could say, ive been repairing all makes of lawn and garden equipment for over 15 years and I love it! Now offer them something they can use, in other words: tell them whats in it for them if they buy your product or use your service right away.
Creating a, day, plan to secure the job right Management
Standby travel requires an upgrade to the Anytime fare. Fares are subject to change until betrayal ticketed. Fares are valid on published, scheduled service only. Srcprwowsale070709, source, southwest Airlines, contact: southwest Airlines Public Relations. Our friend dave called last night, hes started a small engine repair business and he asked us to review a sales letter hed written. Daves letter was actually pretty good; the only problem was that it did not give a really good reason why anyone should do business with him! There was no incentive; no special introductory offer; no inducement for anyone to dash to the phone and call him. Of course we offered to rewrite the letter. The number one objective for a sales letter is get the letter read. And the second is to persuade the reader to take an action and start a business relationship. How do you do this?
Fares do not include airport-assessed passenger facility charges (PFC) of up.00 and. Government-imposed September 11th Security fee of up.00 one-way. Seats are limited and may not be available book on all flights or to all destinations. Fares are available for one-way travel. Fares are nonrefundable but may be applied toward the purchase of future travel on southwest Airlines. Fares are not available through the Group Desk. Any change in the itinerary may result in an increase in fare. Reservations made through m are not eligible for this promotion.
Fare rules, fares about are available on m. Southwest Airlines sale fares are available from July 7, 2009, through 11:59 pdt july 8, 2009. Travel must take place between Sept. 9, 2009, and nov. Travel valid everyday except Fridays and Sundays. Sale fares slightly higher on other days of the week. Fares do not include a federal segment tax.60 per takeoff and landing.
Examples of these low fares include (see fare rules below - 30 one-way between Baltimore/Washington and New York laguardia - 60 one-way between Las Vegas and oakland - 90 one-way between Chicago midway and houston Hobby. After 38 years of service, southwest Airlines, the nation's leading low-fare carrier, continues to differentiate itself from other airlines-offering a reliable product with exemplary customer Service. The first two checked bags fly for free (size and weight limits apply there are no fees for a window or aisle seat, and, as always, snacks, sodas, and smiles are all complimentary! Southwest Airlines is the most productive airline in the sky and offers Customers a comfortable traveling experience. Southwest offers all premium leather seats and plenty of legroom with a young all-boeing 737 fleet. Southwest Airlines (nyse: luv) currently serves 66 cities in 33 states with service to boston Logan starting Aug. 16 and service to milwaukee starting nov. Based in Dallas, southwest currently operates more than 3,300 flights a day and has more than 35,000 Employees systemwide.
I need a day plan template for a sales manager
Southwest Airlines announced today one of the biggest fare sales in the company's history. Customers can purchase one-way tickets for 30, 60, or 90 based on length of travel. For travel up to 400 miles, fares are 30 one-way. For travel between 400 and 750 miles, fares are 60 one-way. For travel more than 750 miles, fares are 90 one-way.
These fares are available through 11:59 pm pdt july 8, 2009, for travel beginning www Sept. 9, 2009, through nov. To see the list of markets, prices, and to take advantage of these special fares, visit. "Southwest Airlines realizes Customers are looking for great travel deals during this difficult economic time said kevin Krone, vice President of Marketing, sales, and Distribution. "We wanted to provide customers affordable airfare so they can punch this economy in the nose and travel for business or leisure this fall.".
Those who don't have a job that provides healthcare, or a partner with family benefits, are never more than one accident away from bankruptcy. As the median age for publishing a first novel is around 34 because it takes a lot of life experience before you know enough to write something worth publishing, most authors are in the age range 34-70 — old enough that they're likely to develop. (To be fair, it's not just authors who get the short end of this particular shitty stick: I suspect the us health insurance industry is actively suppressive of entrepreneurial start-up ventures by older folks in general.). So here's the truth about the writing lifestyle: it sucks. It is an unstable occupation for self-employed middle-aged entrepreneurs.
Average age on entry is around 34, but you can't get health insurance (if you're American). You don't have to be a complete loner, but it helps to have a solitary streak (or a bad talking-to-cats habit). It also helps to be an inveterate optimist, because you'll probably need to supplement your income (about 70 of the mean for someone in a skilled trade, never mind a professional job) by taking on other work such as teaching, journalism, or consultancy. As a business, it's a dead-end: you can't generally expand by taking on employees, and the number of author start-ups where the founders have ipod and cashed out can be counted on the fingers of a double-amputee's hands. And then, finally, when you go out in public and people ask you what you do for a living and you tell them, they look at you as if you've just sprouted a second head because they know that real authors are millionaires with country. No, it's not a fucking lifestyle — it's a job. And if you'll excuse me, i've got a book to go write.
A day plan That Gets you the Offer careerealism
On top of this you can add all the administrative tasks of running a small business — double-entry bookkeeping, tracking expenses and cash flow and receipts, chasing invoices (where appropriate) and paying tax. There is a catch, though. This job takes place in what is basically my spare bedroom. I have office-mates, but they're not co-workers: at best they'll stand on the keyboard and meow at me when I need a screen break. Writing is an intensely solitary parts occupation — so much so that summary many authors give up after a while and go hunt for a part-time day job to ensure that they see other human beings once in a while. In addition to being a wildly unstable, lonely occupation with an insane income spread, there are other drawbacks to being a writer. Many American writers are forced to rely on a day job, or a spouse with a day job, for health insurance: health insurance for the self-employed is prohibitively expensive, especially for the self-employed poor.
I've occasionally had death march sessions in which I pumped out as much as 10,000 words in a day. But such Stakhanovite output isn't sustainable; a 10,000 word day is usually plan followed by a three-day-weekend to recover from. A more realistic target for a full-time professional writer is words of finished prose per workday, corresponding to about 1-2 hours of writing, 2-4 hours of polishing, and another couple of hours of thinking about what they want to say, and how to say. Like anyone else, they need weekends and vacation weeks and time to do the housekeeping. 1000 words per day for a 250-day working year (50 weeks of 5 days a week) works out at 250,000 words per year — or two 320 page novels. You might think that a job that requires 3 hours of work per day is easy. But in most intellectually demanding jobs, the worker isn't delivering head-down time for 40 hours a week: we work in bursts, and the rest of the time gets filled up with administrative junk and social fluff. I have correspondence to deal with with my agent and editors, marketing folks at my publishers, booksellers, and people who want to tell me about the typo they just discovered in a book that came out five years ago. I do around 25 magazine/website/newspaper interviews a year, and about an average of one public appearance per month — which may be anything from answering questions on stage for an hour to a gruelling three to five days on public duty as guest of honour.
high Gini coefficients. The top 10 of authors earn more than 50 of total income, while the bottom 50 earn less than 10 of total d so, the lifestyle misconception raises its ugly head. The lifestyle misconception is this: people base their expectations of how authors live and what their lifestyle is like on media coverage of the top 10 — or rather, the top. And the lifestyle of the top 1 is indeed aspirational. Rowling and Terry Pratchett are responsible for something like 5-6 of all fiction sales in the uk; Stephenie meyer is probably pocketing another couple of percent these days. The media spotlight focusses on the stars, leaving nothing but shadows for the 50 of writers who earn less than 4000 a year from what is essentially a hobby — albeit one that involves grinding work. So what is the job like? Putting words in a row is wearying work. When they're flowing fast, i can sometimes reach a dizzying peak output of 2000 words per hour for a couple of hours — not in fiction, but in a blog entry or a non-fiction essay.
Before i get onto the lifestyle rant, i'd like to point you at this 2005 paper by the author's License and Collecting Society, titled "What are words Worth?, describing the findings of a study organized by the centre for Intellectual Property policy management resume (cippm)i, bournemouth. Briefly: in the uk in 2004-05, median (typical) earnings for authors were 4000 a year, with mean earnings of 16,531 — that is, while most authors earned very little, a handful earned a lot more and so the mean skews high. Once you discard part-timers and focus on professional authors who spend 50 or more of their time working by writing, the median rises to 12,330 (and a mean of 28,340). Many professional authors supplement their income by teaching or consultancy; restricting the survey to focus on main-income authors (those who earned over 50 of their income from writing) gave median earnings of 23,000 and mean earnings of 41,186. Interestingly, the researchers went on to calculate. Gini coefficient for authors' incomes — a measure of income inequality, where.0 means everyone takes an identical slice of the combined cake, and.0 indicates that a single individual takes all the cake and everyone else starves. Let me provide a yardstick: the uk had a gini coefficient.36 in 2009, the widest ever gap between rich and poor — while the usa,.408, had the most unequal income distribution in the entire developed world. The gini coefficient among writers in the uk in 2004-05 was a whopping great.74.
Starting a new Job?
Misconceptions abound, and not only about the publishing industry. In this posting, i'm going to talk a little bit about what it is to be a commercial fiction author. Most people have a very paper romanticized view of what it is that authors. Firstly, there's a widespread perception that the workload involved is relatively easy — in modern western nations, the level of functional literacy is high enough that a majority of the population can read a book, and write (at least to the extent of thumbing. Because there is no obvious barrier to entry as with music (where proficiency with musical instruments clearly takes practice most people assume that writing a novel is like writing a text message — you put one word in front of another until you're done. The skills of fiction composition are largely invisible, until you try to actually. Secondly, many people harbour peculiar ideas about how much money there is in commercial publishing — and when disabused of the idea that selling a first novel is a road to riches, they assume it's because the evil publishers are conspiring to keep all the. Finally, there's the lifestyle chimera.